Do You Suffer with CRAP?

(This is a slightly altered repost from many, many years ago. Sometimes, y’all need reminding, though…)

Do you believe you are a creative professional? An artist of some form? That is, a person with a gift, a talent, a set of abilities like no other person? Believing that is an act of faith and, rather surprisingly, it’s damn hard for some creatives to do. Are you one of those creatives who honors that gift, or one of those who acts almost embarrassed or ashamed of it? Do you put down your abilities, malign your gift? Ever catch yourself saying things like “Oh, it wasn’t anything special” or “I just kinda shot it–got lucky with the light?” Do you refer to yourself and your path as “the guy who liked to draw as a kid and ended up in art school” or “the adult version of the kid who liked taking pictures for the yearbook but couldn’t do anything else?” Do you feel, on some level, like apologizing every time you get paid for your creative work? Are you waiting for the day when someone finally tells you you’re a no-talent hack who has only managed to fake it this far?

If you answered “yes” to any of those statements, you’ve got Cognitive Reduction of Artistry Pathology…or CRAP*.

One of the main signs that you’re afflicted with CRAP is that you refuse to use the term “artist” for who and what you are. You may call yourself at best a creative professional, but the word “artist” is never used except, maybe, in the  popular variation “commercial artist.”  That may be used as a work-around because somehow that makes you less of an artist. If it’s commercial, it’s not real art–-that’s what you tell yourself.

If you have CRAP, your art’s value is downgraded in your own head. And yet, you admire people like Annie Leibovitz, Frank Gehry, and Chip Kidd; people who are (commercial) artists. Famous artists in any field, no matter how commercial, are somehow different from you and are (real) artists. But you? No siree! Not in your CRAP-filled head.

CRAP Facts
CRAP afflicts many people in all the creative industries: designers, photographers, writers, architects, illustrators, musicians, actors, etc.
CRAP can bog you down just as sure as walking in a muddy, well-used cow pasture in a pair of high heels. Depression can follow CRAP.
CRAP-sufferers often struggle with business–how can you demand more money or better rights if you’re not really an artist?
CRAP is a self-fulfilling disorder: after all, if you’re not a “real” artist you don’t have to push yourself creatively, right?
CRAP can be insidious; it’s one thing to be modest (a good thing) but one step too far and you CRAP all over yourself.

But you can rid yourself of CRAP. Here are some simple steps you can start today:

  • Call yourself an artist and call what you make art. Do it out loud, every single day.
  • Remind yourself that your work has value– if an ad costs $300K just for its space (placement), the art for that ad is worth a hell of a lot more than $2K.
  • Most people will not like your art, and that’s a good thing, after all, most people like Wal*Mart and lawn ornaments; but the ones that will like it are the only ones that count and they’re the ones to market to.
  • You have every right to get paid and paid well for your abilities, just like a doctor or a plumber or any other pro; your skills are just as rare and valuable.
  • And, most importantly, you deserve to be happy–you are doing what you love, what you should be doing in this life–don’t crap on it.

[* CRAP was, of course, entirely invented by me. That makes it no less real in many ways.]

Proposed Higher Fees at the USCO

The USCO has proposed significant increases in copyright registration (and other) fees. You can read the whole shebang here, but the gist is that it is going to cost you more to file your registrations, no matter what your art is.

For example, a group published photographs registration is now $55 but it’s suggested new cost would be $100. That’s almost double and, although the USCO does make a good argument for increasing its fees, it’s going to hurt a lot of artists.

The good news is these new numbers are not yet written in the proverbial stone. Instead, they are seeking public comment before deciding on final numbers to submit to Congress.

You have through July 23, 2018 to submit a formal comment (see link above) and I encourage you to do so. However, please remember that it will serve no purpose to get nasty in your comments. Politeness (and logic) can go a long way. These are public comments, so think before you write.

Whatever the comments the USCO receives, it’s safe to say the prices will go up–it’s just a question of how much. For now, though, they are as they have been. I suggest, if you’ve been putting off registering, now may be a good time to catch up.

New Tool! (For infringement searching)

I’ve been hearing from clients how they are frustrated that they can’t find a decent service that actively monitors multiple images for possible infringements. That is, one that doesn’t then require them to use the monitoring company’s services to pursue claims, like ImageRights or Pixsy (etc.) do.

Lots of photographers don’t want to have to pay 50% or more of their settlements, often on top of subscription fees, and I don’t think they (or you) should. It’s your money and fees like that, in my opinion, are outrageous. It’s like when stock agencies went from the photographer getting most of the licensing fees to the photographer getting practically nothing–it’s your work and you deserve to keep most of the money collected!

Anyway, like I said, clients were asking for options and I didn’t have a good one to present. So, I started digging.

The usual suspects of Google Image or Bing Image are strong tools but aren’t for monitoring. You can’t upload a bunch of images then get a report about them–you can only do one-off searches. There is a Russian site called Yandex that a client recommended, but I honestly do not trust any Russian site not to then take your images and re-sell them behind your back[1].TinEye has been around for some time, but they’re way pricey, especially for a solo artist.

Finally, after some Reddit hunting, I think I have found the answer: a UK company called Infringement.report.

Infringement.report’s service is a subscription, web-based tool at a ridiculously fair price point. Seriously. How does $25 a month grab you? That level will cover many of you but even if you are the busiest and want to track a ton of images, the most expensive monitoring plan is $150 a month.

They have no contracts, no limitations on who you can work with, and they specifically do not pursue claims. In their own words, “We don’t pursue infringements, leaving you free to choose your own lawyers and keep 100% of settlements.”

Huzzah!

And, most importantly, it works[2]. I did a small test (you can test drive for free with up to 3 images) and was stunned at the results. One of the images I tested is a client-friend’s that I knew had been ripped off before. In an hour it found at least 19 uses of that photo, most of which were unauthorized.

You can get reports emailed to you. You can download the data as a .csv file to put in Excel or your own database. It’s got an API (maybe you have software it can talk to directly?). The results are dead easy to read and understand. And you don’t have to be a geek to figure out how to use the tool. Payment is made via PayPal and the terms of service are not sneaky.

Honestly, I keep looking for a big negative but, so far, I can’t find one.

So go forth and monitor your work[3]. When you find infringements, hire your own, personal copyright attorney (like me) with whom you can build a relationship. And keep most of your own money.

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[1]Go ahead and call me “racist” if you want–I know what I’ve seen in my practice and Russian sites are some of the worst infringers.

[2]Okay, I have to admit (1) there was a little bug that gave me a warning about having uploaded too many images for the free trial, when I hadn’t, but it worked anyway; and, (2) I having been testing it long, yet.

[3]Register the copyrights first, m’kay?